Pattern Description:Close fitting lined dresses have princess seams and strap variations. A: Contrast overlay. C, D: Uneven hemline, wrong side of fabric will show. Includes separate pattern pieces for A/B, C, and D cups. Pattern Sizing:6-22 with A/B, C, D cup sizing Fabric Used:The pattern fabric is quilting cotton from Spoonflower (I'm recreating a design … Continue reading Pattern Review: McCalls 7718
Pattern Description:Loose fitting top has back hook and eye closure and sleeve variations. Pattern Sizing:6-14 or 14-22; I cut an 18. Did it look like the photo/drawing on the pattern envelope once you were done sewing with it?I made a number of alterations, but the bones of the shirt matched that of the picture. Were … Continue reading Pattern Review: Vogue 9285
Let's talk about fabric choices, details, and why we pick the fabrics we do. I touched upon this briefly when I talked about making Arwen, but that was a project where I was working to achieve a close recreation of a particular look, while sourcing materials that didn't break the bank. This time around, let's … Continue reading Elevating Eilonwy
Pattern Description:This style is particularly suited to 1878 – 1882, and is perfect for daytime events. This jacket has a roll down collar with lapels, and is cut away at the center front below the waist. The bodice hem can be made in two styles, either with two points and shaped over the hips, or … Continue reading Pattern Review: Truly Victorian 428 (1880 Jacket Bodice)
Disneybounding and cosplay run along the same lines when it comes to original design. Arguably, Disneybounding itself is cosplay-lite. They both have two very simple, but extremely important, characteristics that make the design successful or not: Iconography and Color Identity. Let's look at just the Disney Princesses as those are so often cosplayed and Disneybounded. … Continue reading Iconography & Color Identity in Disneybounding & Cosplay
Beyond a doubt, fabric selection is the most crucial part of sewing - it literally is the costume. When I was a starting seamstress, my fabric choices were ALL over the place, especially for skirts, I used lining fabric, charmeuse, silky solids, and a myriad of completely inappropriate fabrics for the styles I was making. … Continue reading Fabric Selection 101
Starting sewing is intimidating, especially when you're going through rows and rows of sewing notions in Joann Fabrics. I've distilled those walls into a list of the basics you'll need to get started and with the 'advanced' tools you will likely want to acquire over time if your needs call for them. Click on the … Continue reading The Great Big List of Stuff!
Beware: Algebra Ahead! Petticoats are not hard. I repeat, they are not hard. All of it is simple math and I’m here to help you figure out your fluff, length, and fabric requirements for a basic tiered petticoat like the one I’ve made for Anna! First things first: Fabric. You’ll need a stiff organza as … Continue reading Petticoat Math!
Taking inspiration from Dior and the 19th Century (specifically the mid 1860’s) I designed a skirt with petals that are short in the front and lengthen as they get to the back. These petals are more intricate than they appear, in fact, there are four layers of fabric to them: two types of organza, glitter … Continue reading A Rose Petal Skirt
An upcoming project of mine is Arwen's "Red Dress" from the Lord of the Rings: Return of the King. So how does one go about actually making a cosplay that is fairly screen accurate? Read on and I'll tell you all about research for this relatively simple costume. Arwen's "Red Dress" from Return of the … Continue reading Let’s Talk Research