Cosplay
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How to Create Screen Accurate Lady Tremaine Jewelry
The project to recreate Lady Tremaine’s ballgown scene jewelry from 2015’s live-action Cinderella is, frankly, not for the faint at heart. But it is for the intrepid. Let’s dive right into it, shall we? First, let’s take stock of all the items that comprise Lady Tremaine’s jewelry set: necklace, earrings, two bracelets, ring, and feather hairpiece. That’s seven total pieces. Gosh she’s oustentatious! A vital important point that is quite pointy: The starbursts on all the pieces have 12 points, including the disks stacked upon each other. I’m assuming this was not just an aesthetic choice, but also to symbolize a clock. I mean, it could be happenstance, but Madam…
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Making of Mother Gothel’s Cloak
I made this cape to go with a fan art version of the villain from Disney’s Tangled: Mother Gothel. For those who haven’t seen the movie, she wears a red dress and is sometimes featured wearing a dark blue/purplish cloak with a hood. I used McCalls 7886 to create the look. Read on to find out how I made the fabric and my review of the pattern. Pattern Description:Lined cape is gathered to neck band with hook and eye closure and has side arm openings and train. Hood is lined and has contrast ruffle. Purchased appliques. Pattern Sizing:XS – XL Did it look like the photo/drawing on the pattern envelope…
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Making of Belle’s 1860-Inspired Bodice
Belle was a passion project of mine. After seeing the Cinderella’s dress in the 2015 live-action movie, I instantly knew that cut was meant for Belle. From the Basque waist to the bertha, this was not Cinderella’s dress. I sat and I waited, not confident in my skills to create such a gown. Then, five years later, I got the gumption to attempt the “Beast.” First I needed a design that was my own that I could love for my lifetime as I will never make her again. Going to the drawing board, I took inspiration from Cinderella, but I wasn’t in love with the relatively plain organza bertha. I…
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Making a Renaissance Elsa: The Details
I had an idea for a Renaissance Faire Elsa that I could wear in high heat and still be comfortable. I did some research and with the knowledge of what people tend to wear to Renaissance Faires from my years of going, I came up with a style that I have not made or worn to Faire. Landing on this “milkmaid” design, I then gathered materials. Considering that it can be 90 degrees Fahrenheit or more with 100% humidity, I needed a fabric that would wick sweat, help stay cool, and aid in bug repelling. Linen is the only fabric that fits that bill. If you’re wondering, linen is a…
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Renaissance Elsa: Simplicity 1773 Pattern Review
When I decided to make a Renaissance Elsa, I knew I had to make her extravagantly simple. Which is no easy feat! Making sure this cosplay was balanced in color, cut, and styling was a great deal harder than I thought it would be. But check out my Making of Renaissance Elsa post for more information on that. This is the review of the pattern I used to create the look. Did it look like the photo/drawing on the pattern envelope once I was done sewing it?White dress: It did indeed, the shape was consistent with the envelope examples.Blue overdress: Heck to the no. After 6 muslins, I finally got…
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Pattern Review: McCalls 7718
Pattern Description:Close fitting lined dresses have princess seams and strap variations. A: Contrast overlay. C, D: Uneven hemline, wrong side of fabric will show. Includes separate pattern pieces for A/B, C, and D cups. Pattern Sizing:6-22 with A/B, C, D cup sizing Fabric Used:The pattern fabric is quilting cotton from Spoonflower (I’m recreating a design so I needed exact fabric) and the overlay is poly voile from Fabric Wholesale Direct. Did it look like the photo/drawing on the pattern envelope once you were done sewing with it?Yes, but with the alterations I made, it does have a different feel. Were the instructions easy to follow?I read through the instructions, and…
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Pattern Review: Vogue 9285
Pattern Description:Loose fitting top has back hook and eye closure and sleeve variations. Pattern Sizing:6-14 or 14-22; I cut an 18. Did it look like the photo/drawing on the pattern envelope once you were done sewing with it?I made a number of alterations, but the bones of the shirt matched that of the picture. Were the instructions easy to follow?The instructions for the bishop sleeve were easy. Reading through the flared sleeve instructions were slightly confusing. The shirt comes together quickly though. What did you particularly like or dislike about the pattern?The sleeve cuffs are dreadful, they are supposed to be one piece (I made them two to insert the…
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Elevating Eilonwy
Let’s talk about fabric choices, details, and why we pick the fabrics we do. I touched upon this briefly when I talked about making Arwen, but that was a project where I was working to achieve a close recreation of a particular look, while sourcing materials that didn’t break the bank. This time around, let’s look at an original redesign of a character who has a rather basic costume: Eilonwy from the 1980’s Disney cult classic, The Black Cauldron. All the materials were gotten from two places: Fabric.com and Amazon. That’s it, no crazy sourcing from overseas! First we look at the color blocking of the costume: blue bodice with…
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Pattern Review: Truly Victorian 428 (1880 Jacket Bodice)
Pattern Description:This style is particularly suited to 1878 – 1882, and is perfect for daytime events. This jacket has a roll down collar with lapels, and is cut away at the center front below the waist. The bodice hem can be made in two styles, either with two points and shaped over the hips, or long on both sides and back. The side back seams open up into pleats below the hip for added fullness. The fitted sleeve is in 2 pieces, and can be made either full length with a cuff, or 3/4 length. The bodice is drafted based on a tailoring method actually used in the 1870’s. Each…
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Iconography & Color Identity in Disneybounding & Cosplay
Disneybounding and cosplay run along the same lines when it comes to original design. Arguably, Disneybounding itself is cosplay-lite. They both have two very simple, but extremely important, characteristics that make the design successful or not: Iconography and Color Identity. Let’s look at just the Disney Princesses as those are so often cosplayed and Disneybounded. Each princess has her own color scheme, and in cases like Snow White and Elsa, a defining iconic item/ look associated, the apple for Snow White and the braid for Elsa. Without either, both tend to look incomplete, or not quite as ‘cute’ as they could be. So what happens when you strip all that…
